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Full text of "Navy Blues(Warner Bros. Pressbook, 1941)"

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Bean RSON * JACK CARSON + JACKIE . 
avy Blues Sextet’ s Directed by og b 


ard Ma 

c 

pee and Arthur T. Horman & Sam Perrine From 
arner Bros.-First National Picture 


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, Iq & Rj 
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3. 


CONTEST RULES 


Any advertising or theatre manager at whose the- 
atre “Navy Blues” will be playing on or before 
December Ist, 1941, is eligible to participate. 


This contest is open to theatres in the United 
States and Canada. 


Thirteen cash prizes totalling $700.00 will be 
awarded for the thirteen best promotions of West- 
more’s Foundation Cream effected in conjunction 
with the exploitation of Warner Bros.’ “Navy Blues.” 
The prizes are: 


Firat Prine 30 Se $300.00 
Second Prize *. 60600... 200.00 
Thire Prine... 2 es 100.00 
10 additional prizes of... 10.00 each 


Judges will be: Maurice Kann, “Boxoffice”; Charles 
Lewis, “Showmen’s Trade Review”; Jay Emanual, 
“The Exhibitor’; A-Mike Vogel, “Motion Picture 
Herald”; John C. Flinn, “Variety”; Jack Alicoate, 
“Film Daily.” Decisions of the judges shall be final. 


Prizes will be awarded solely on the merits of the 


promotion campaign, without regard to size of the- 
atre or city. 


Duplicate prizes will be awarded in event of ties. 
Contest ends at midnight, December Ist, 1941. 


All material submitted should be placed in a book 
and clearly described or explained. Campaign 
books will not be returned and no responsibility 
is assumed for entries. 


All entries must be postmarked no later than mid- 
night, December Ist, 1941. 


Entries must be sent to “Navy Blues - Westmore” 
Contest Editor, 321 West 44th Street, New York City. 


WESTMORE COSMETICS offers $700.00 in cash 
prizes to the thirteen advertising or theatre managers 
who put over the best local promotions for WESTMORE 
FOUNDATION CREAM in conjunction with the ex- 
ploitation of Warner Bros.’ “NAVY BLUES”! 


All entries will be judged strictly on their merits for orig- 
inality, scope and intensity of coverage in the promo- 
tion of Westmore’s Foundation Cream as part of your 
campaign for “Navy Blues.” You can’t lose — for this 
big tie-up means extra interest for your showing! 


Take full advantage of the campaign material provided 
(see opposite page) ... but keep in mind that you are 
not limited to these suggestions . . . spice ‘em with your 
own original ideas! 


The size of your theatre or the size of your town is NOT 
important. Any theatre or advertising manager may 
win! So start TODAY! Win with WARNERS — and 
WESTMORE! 


Country of origin U.S.A. Copyright 1941 Vitagraph, Inc. All rights reserved. Copyright is waived to magazines and newspapers. 


... HERES WHAT TO DO 
FOR THAT EXTRA DOUGH! 


These ideas will help you to grab yourself some 
of that ‘‘Navy Blues” cash. Remember, this tie-up 
campaign pays off twice — once at the box-office 
— again with the Westmore prize money! Remem- 
ber, too, that you need not limit yourself to these 
suggestions — originality may prove decisive. 


] SPECIAL PROMOTION FOLDER is available on 
" request to Westmore Contest Editor, 321 West 44th Street, 
N. Y. C. Folder contains mimeographed publicity releases, 
8 stills showing the “Navy Blues” Sextet and Ann Sheridan 
being made up by Perc Westmore, two stills of the Sextet in 
action and one 2-column mat for newspaper's beauty page. 
Use the various stills for displays in lobby, on counters 
and store windows, and newspaper planting. Cost: $1.00. 


2 NEWSPAPER CONTEST on woman's or beauty page 6. Above ” es reproagcees vag the 16" x 
®" can be based on what the ladies believe are the most im- 20” special window porer in full color 
portant beauty hints involving foundation creams. The Westmore is supplying to all dealers. 
suggestion below (Number 3) may prove helpful in staging 

this promotion. 7 SLOGANS used effectively by Westmore 
" are provided below for your use in tie-up win- 

dows or literature: 

“One of these shades is good for YOU.” 


“Westmore Foundation Cream used by all 
Warner Bros. stars.” 


3 There are six beau- 
® tiful girls in the Sex- 
tet and six shades of 


Westmore’s Founda- 
“The first step in a wonderful Westmore make- 


ae 


tion Cream, as fol- 


lows: Continental, * ae Pes ee 

- Ww estmore ounaation 
Natural, Coral, Rose- no ead ; 
Glo, Castilian, Cop- 
per, Using sphoto we 9 NEWSPAPER PROMOTIONS... 
shown at right (it's . 


On the Beauty Page: Photos of the Sextet 


in the special folder), apply the name of each shade to i: 
. da GRPy being made up by Westmore plus publicity 


each of the girls for various display uses. E : yeas 
és ae releases available in Folder; demonstration in 


4 CHAIN STORES are among the largest sellers of West- leading department store of Foundation Cream 
e 


more products, and therefore are your best bets for coopera- uses sponsored by Beauty Editor: daily beauty 


tion. Any or all of these following chains should be covered hints involving the use of Foundation Cream, 


for window displays, demonstrations, etc.: WOOLWORTH, each hint under the name of one of the Sextet. 
GRANT, KRESGE, McCRORY, NEISNER BROS., G. C. 


On the Movie Page: Adapt any of the con- 
MURPHY, J. J. NEWBERRY. 


test suggestions provided elsewhere in this 
press book by offering Westmore Foundation 


5 Below is a reproduction of the 16” x 20" photo Crean dea “prize 
: : 


enlargement available to all dealers, from West- 
more. Make it the key to your display campaign. 
Finished blow-up carries explanatory caption 
and picture and star credits. 


ui BEAUTICIANS are very important outlets 
" in connection with this promotion and their 
cooperation should be obtained. They can 


work for you in any of these ways: displays 
in all beauty shops; distribution of Westmore 


literature to all beauty shop patrons; lectures 
and demonstrations before women’s groups; 
endorsements and recommendations. 


THIS IS IMPORTANT! 


Please remember that this contest applies only 
to the promotion of Westmore Foundation Cream 
—and to no other Westmore cosmetic products. 
Also list local stores where Westmore Cosmetics 


are sold, in all lobby displays. For further infor- 
mation, write to: 


Mr. Oscar Alexander 
HOUSE OF WESTMORE 
730 Fifth Avenue, N. Y. C. 


SELL IT WITH MUSIC... 


ND RECORDS, TOO! 


In addition to your sheet music promotions, you have 
recordings by DECCA and RCA-Victor. This is an all- 
important angle of your music promotion, so... 


Follow Through With These Stunts: 
i 


Records played on theatre's P.A. System in lobby and out 
front or on dressed-up sound truck. 


Sheet music or records as promoted contest prizes. 


Song fest in theatre following “Navy Blues” trailer. 


Amateur song contest in theatre on the air or department 
store music counter. * 


Displays in travel bureaus servicing Honolulu runs. 


4 


These “Navy Blues” hit 
tunes... 


IN WAIKIKI 
YOU'RE A NATURAL 


-» + give you a powerhouse 
promotion punch in selling 
your show with songs! 


Witmark Will 
Do This... 


Supply all dealers with 
FREE TITLE SHEETS for 
window and counter dis- 
play. Limited supply on re- 
quest. Write or wire: Mr. 
Oscar Blum, M. Witmark 
& Sons, 1250 Sixth Avenue, 
New York City. 


Advise all music dealers, 
leading bands and singers 
to plug these songs in the- 
atres, night clubs and over 
the radio. 


Contact local Witmark rep- 
resentatives to work with 
you in setting up your co-op 
promotions and ballys. 


DECCA: 


“You're a Natural” 
by Russ Morgan 


“Navy Blues” by 
the Decca band 


RCA-VICTOR: 


“You're a Natural” 
and “In Waikiki’ 
(No. B11244 Blue- 
bird) 


Use this 5-column picture feature strip for planting in your 
local newspaper or blow it up for lobby and front display. 


ITS A LULU! 


A Honolulu Lulu Does The Hula-Hula! 


In Honolulu, they call it the "Luau," 
and Ann gives it all she has—which 
is plenty! Knees, hips and arms swing 
into action and so does that shredded 
wheat skirt she's wearing. Feet remain 
almost stationary during the hula, 
luau, or what have you? 


Eyes right, hips left in this next in- 
tricate move. Only a motion picture 
camera can catch the full impact of 
that bump Ann is doing. Keep your 
eyes on her hands (if you can), that 
palms-out business means something 
special at Waikiki. 


Feet still, Ann rocks her hips and 
shoulders and mimics the movement 
with her arms. It's quite a trick if you 
can do it, and she certainly can can- 
can, or are we talking about two 
other dances? Anyway, watch those 
hips and you'll see what we mean. 


For a smash finish, Ann swings hips 
and arms in one direction, knees in 
the other, and boys, this is what we 
mean when we say the hula-hula! If 
you don't believe us, see ‘‘Navy 
Blues,"" and you'll find out for your- 
selves about the hula. 


Mat of art work only available. Order "NB Mat 502B"—75c—trom Campaign Plan Editor 


The U. S. Navy Aided in the Production of “Navy Blues”... NOW 


GET THE U.S. NAVY TO AID IN YOUR CAMPAIGN! 


Valuable cooperation can be rendered by the local Navy 
Recruiting Office. Discuss these ideas; they may have more: 


DRESS YOUR LOBBY and marquee with Navy code 
flags, life preservers imprinted with NAVY BLUES, 
anchors and other nautical paraphernalia borrowed 
from the local Recruiting office. 


__ a melts 3 


“NAVY BLUES” SEXTET has replaced the “world” 
as what to see when you join the Navy. Use the still illus- 
trated below (NB PubA 404) in connection with local 
Recruiting Drive, in all Navy literature, as “A” board 
display, etc. Order this still—10c—from Still Department, 
321 West 44th Street, New York City. vy 


THANK THE NAVY in a lobby scroll for their gen- 
erous cooperation in the production of “Navy Blues”. 
This type of display will add prestige and good will. 
Copy: “The Strand Theatre joins with Warner Bros. in 
thanking the U. S. Navy for their generous cooperation 


aan 


in the production of ‘Navy Blues’. 


ya ew 


HONOR LOCAL NAVY MEN on an Honor Roll in 
lobby or out front. Names and branch of the service may 
be obtained from recruiting officer. If photographs are 
obtainable from their families—so much the better. 


a PL Bees 


NAVAL ATMOSPHERE in your theatre can be ob- 
tained by garbing ushers in naval attire; using a “gang- 
plank” at ticket-taker’s door; having staff say “Aye, Aye. 
Sir” instead of “Yes, Sir’: and displaying Navy posters, 
photographs and equipment. 


Xi che eee 


PARADE TO THEATRE may be effected through 
the cooperation of Navy office with local Drum and 
Bugle Corps, high school girl band and Junior Naval 
Reserve participating. Select six pretty girls to lead the 
parade singing the songs from “Navy Blues.” 


This Cargo of Cuties Suggests Nifty Newspa 


Idea is to show all the members of the famous “Navy Blues” Sextet and 
invite readers to vote for the one "most likely to succeed” on the screen. 
Publish one each day or all six as a one-shot feature. Available on one 
mat: Order "Mat NB 401B"—60c—-from Warner Bros. Campaign Editor, 
321 West 44th Street, New York City. 


VOTE FOR THE STAR OF TOMORROW 


Name your favorite member of the famous “Navy Blues” Sextet. See the Bal 


KAY ALDRIDGE 
Most-Photoed Girl 


Luscious, long-legged Kay is 
one of America's most pho- 
tographed models. She, too, 
is one of the most famous 
of John Powers’ models. To- 
gether with the other five 
girls, she is now appearing 
in Warners’ "Navy Blues” as 
one of the Sextet. 


LORAINE GETTMAN 
High School Juliet 
A redhead. In high school 
shows she played Portias and 
Juliets. Appeared on maga- 
zine covers and did other 
modelling chores, but yearns 
to be a singer. Comes from 
a musical family and likes to 
sketch, paint, play the piano. 


MARGUERITE CHAPMAN 


Ex-Model 


Howard Hughes discovered 
her and placed her in the 
movies, She had never acted 
previously. Before this, John 
Powers, the famous model 
maker, made her a member 
of his famous Powers Models 
group. Is she your choice? 


GEORGIA CARROLL 
The Pride of Texas 


Discovered by Buddy De 
Sylva while visiting New 
York for the first time. Has 
appeared briefly in several 
Warner Bros.’ pictures, She is 
one of the most photo- 
graphed girls in the country. 
Music and ballet interest her. 


CLAIRE JAMES 
Unofficial Miss America 
Came to Hollywood as the 
result of winning a tap-danc- 
ing contest, Strikingly sug- 
gestive of blonde and vi- 
brant Lana Turner. A Minne- 
apolis girl with many years in 
vaudeville. Earl Carroll's se- 
lection as "Miss America.” 


(Similar contest idea was used with great deal of success by Movie-Radio Guide Magazine.) 


. And Here’s The Ballot: 


VOTE FOR THE STAR OF TOMORROW 


in the "Navy Blues" Sextet 


Check the name of the Sextet member you 
believe "most likely to succeed on the screen." 


KAY ALDRIDGE, Most Photoed Girl 
LORAINE GETTMAN, High School Juliet 
MARGUERITE CHAPMAN, Ex-Model 
GEORGIA CARROLL, The Pride of Texas 
CLAIRE JAMES, Unofficial Miss America 
PEGGY DIGGINS, The Lawyer's Daughter 


* * 


PETE] eS te 


See the NAVY BLUES SEXTET, together with 

ANN SHERIDAN, JACK OAKIE, MARTHA 

RAYE, JACK HALEY in "NAVY BLUES" at the 
STRAND THEATRE 


extet vs Local Girls 
In Battle of Beauty! 


Local girls, prompted by newspaper or theatre, challenge the Navy 
Blues Sextet to a Battle of Beauty. Six girls are photographed with 
any weapons they choose—evening gowns, hula skirts, bathing suits 
or navy garb. Local experts are called upon to judge the winning 
sextet, comparing photos of local sextet with those of the Navy Blues 
contingent. Special set of Navy Blues Sextet photos (3) available for 
this promotion. Order “Navy Blues Sextet Set”—25c—from Campaign 
Plan Editor, 321 West 44th St., N. Y. C. 


Complete promotion is staged via columns of cooperating newspaper 
via these stages: 1. Girls invited to make up local sextet. 2. Local 
sextet photoed. 3. Judges selected. 4. Decision announced. 5. Local 
sextet visits Mayor, night clubs, department stores, etc., winding up 
festivities at your theatre night of opening. 


per Bally! 


lot below. 


PEGGY DIGGINS 


The Lawyer's Daughter 


Reminds you of Hedy La- 
marr. Louella Parsons saw 
her at the Stork Club and 
paved her way into pictures. 
School dancing led to night 
club work and modelling. If 
she is your favorite, check 
her name on the ballot and 
send it to the Daily News. 


A GOB 
OF THIS... 


_.. Like This: 
ANIMATED SAIL 


Rig up canvas sails on 
which is lettered title, stars 
and catchlines (from ads), 


plus cut-outs from the pos- 
ters. Electric fan placed 
in back of the sails will keep 
‘em billowing. 


SHIP DISPLAY 


Sign shop builds a compo- 
board battlewagon embel- 
lished with girls, stills, 
catchlines and flags. Placed 
on truck it also makes a 
swell street bally. Play song 
records with this. 


GAL SIGNALERS 


A couple of attractive girls 
in brief sailor togs signal 
each other with semaphore 
flags atop marquee, on roof 
tops or from opposite main 
thoroughfare intersections. 


CUT OUT TITLE 


Each letter of title or a cut- 
out ship strung across lobby 
will sell show effectively. 


SMOOTH SAILING IN LOBBY! 


PHOTOS —— 


Blow-up still NB 707 
life-size and cut out 
head of Oakie. Male 
patrons place their 
heads in cutout and 
are photographed 
with two of the Sextet 
gals. Order still—10c 
—from Warner Bros. 
Still Department, 321 
W. 44th St., N. Y. C. 


.., 4nd Out Front! 
BOX-OFFICE AS WHEEL-HOUSE 


Rig up a huge compo-board cutout life preserver with rope fringe 


to encircle box-office window. Copy on circle carries title, ad lines 
and star names. String code flags from window to marquee edge. 
Add all other kinds of naval paraphernalia, such as compass and 
barometer to make box-office look like wheel-house on ship. 


MARQUEE — 


Spot Sextet in Navy 
garb atop marquee 
as shown—or on hotel 
marquee in midtown. 
Girls signal, sing—or 
sell Defense Bonds. 
Stage this at night, 
too, with Navy men 


as escorts. 


LAUGHS IN LOBBY can be achieved ilk cut-out blow-ups of stars as shown below. Spot 


along one wall of lobby. Tag line on last display panel, which you prepare locally, says: 


A PINCH 
OF THIS... 


(you fresh thing!) 


... ALL MERRILY TOGETHER IN “NAVY BLUES”! 


THIS... 
SHAKEN WELL. 


Order “Lobby Display Stills” (5) - 50c - from Warner Bros. Still Dept., 321 W. 44th St, N.Y. C: 
7 


National RESISTOL HAT Campaign Stars “NAVY BLUES”! 


[ESQUIRE AD] [PREPARED NEWSPAPER AD] 
3-Way Tie-up! 


l ESQUIRE AD pre-sells millions 
a 


N 


HO dedesl ls . of Esquire readers with this half- 
NE S page layout starring Jack Oakie. 
- 9 WINDOW CARDS (20"x30") 

" attractively colored for windows 


Show Your Co/ 
And Make tal 


~ FASHI 


and counters are available to all 
Resistol dealers. They’ll give you 
these valuable displays in ad- 
vance and current with run! 


3 AD MATS for local dealers 
" available on request to Byer-Rol- 
nick, Garland, Texas. These news- 
paper ads available in two sizes 
—100 lines on one column and 

100 lines on two columns. Great JACK OAKIE, one 

of the stars of Warner 


Bros naughtycal hit 
“NAVY BLUES” looks 


mighty Oakie-dokey in 
DYINDOW CARD] his Resistol ENSIGN“ 


free space for your show]! 


HoLLywoop’s newest color vogue is available 
to you—just as it is to the stars—in Resistol’s 
smart new Fall hat styles with that Self-Con- 
forming Feature that guarantees a perfect fit. 


“THE ENSIGN” 


is priced at 
- 
Other styles 
THE MOST COMFORTABLE up to 
HAT MADE! $20 


SOY LOSVLesets Sses. 


—) > DEALER'S NAME 


For local dealers names and 

other information, write Mr. LEVEES TOD See Te 
Harry Rolnick, Byer-Rolnick, 

Garland, Texas. 


In Full-Page Screenland Ad 


The NAVY BLUES SEXTET is capturing the na- 
tion. As a tribute to the six lovelies in the picture, 
the Goldman Co. of Baltimore, Maryland (manu- 
facturers of Freshy Playclothes) has created 6 
dresses in navy blue. Here’s their own sextet 
(shown in illustration at left) wearing the dresses 
which form the basis of a full-page ad in SCREEN- 
LAND magazine. Blowups of the ad and window 
and counter displays available. These dresses are 
sold in all leading department stores. 


For information regarding local dealers, 
special displays, etc., contact Mr. Harry 
Goldman — The Goldman Co., 38-42 So. 
Paca Street, Baltimore, Md. 


ROYAL CROWN COLA Covers Nation With “NAVY BLUES” 


PROMOTION 


National CHESTERFIELD AD 


ANN SHERIDAN i 
ean te _ ‘arner 


am for a Definitely MILDER 
at Fo: COOLER BETTER TASTE 


Cis everywhere know you can travelalong . 
way and never find another cigarette that can match 
Chesterfield for a Milder Cooler Better Taste. 

It’s Chesterfield’s Right Combination of the world’s 
best cigarette tobaccos that wins the approval of 
smokers all over the country. Let the Navy’s choice be 
your choice . . . make your next pack Chesterfield. 


e 
EVERYWHERE YOU GO They Salesfiy 


Half page Chesterfield ad featuring NAVY 
BLUES picture of Ann Sheridan, and copy on 
picture, appears in thousands of newspapers 


CASPAR-DAVIS HATS 


Three hats styled especially for Ann Sheri- 
dan, have been made by the Caspar-Davis 
Millinery Company which has outlets 
throughout the nation. Miss Sheridan has 
posed wearing these hats on the “Navy 
Blues” set and set of three stills is available 
on order from Warner Bros. Still Depart- 
ment—25c. Window and counter displays 
featuring these stills are being sent to all 
Caspar-Davis dealers. Contact your local 
dealer to arrange your tie-up. 


For further information, write: Mr. 
Caspar R. Riese, Caspar-Davis Co., 
745 S. Broadway, Los Angeles, Calif. 


Using billboards, newspapers and radio, Royal Crown 


Cola tell the whole country about your showing of 


“NAVY BLUES.” Here’s how they do it: 


This 24-sheet in full-color is planted on 8, 000° bill- 
" boards from coast-to-coast. Daily reader circulation 
is an estimated 22,000,000. 


fasté-fess/ 


SAYS ahcinig fii se 


ANN SHERIDAN 


“Royal Crown Cola’s tang and sparkle 
suit my taste perfectly!“ 


se NAVY BLUES 


Starring ANN SHERIDAN | 
Another Warner Bro. 
smash hit! 


‘OW — glamorous Ann Sheridan knows which cola 
rates No. 1 in taste! She drank leading colas from 
unmarked cups, then voted one best-tasting. Her choice 
was Royal Crown Cola—the same cola that has won $ 
out of 6 impartial, certified group taste-tests from coast 
to coast! Give your taste a chance to vote on Royal Crown 
Cola. Try the big 5¢ bottle that holds not one—but 
TWO FULL GLASSES. Or treat the whole family with a 
handy six-bottle home carton for 25¢. ok 


QovAl iL. CR Ow, 
«Best by Taste-lest 


LOCAL BOTTLER’S 


NAME AND ADORESS 


This 500-line ad appears in 420 newspapers with a 
" total circulation of 11,000,000. 


3 A special comic strip has been placed in 300 news- 
" papers with a total circulation of 11,000,000. 


4 Radio plugs will be broadcast over 330 radio sta- 
" tions which reach an estimated 28,000,000 listeners. 


For information regarding local bottlers, ads, 
etc., contact: Mr. Sam Harned, Batten, Barton, 


Durstine & Osborn, Inc., 383 Madison Avenue, 


_New York, N.Y. 


ROYAL CROWN COLA 
Blankets the Nation for YOU! 


Navy Motif Cues a Full-Page 
Dealer Co-op Ad Layout... 


Contact your local newspaper advertising manager regarding a full-page layout 
of co-op dealer ads tied together by the “Navy Blues” motif. Or, full page ad can 
be placed by leading department store. 


Banner line: 


"The Ladies Salute the Navy with NAVY BLUES” 


Ads sell fashions, millinery, costume jewelry, interior decorations—almost anything 
with a Navy motif or Navy Blue color. Page also carries picture, star and theatre 
playdate credits. 


An adaptation of this co-op page layout is to have the paper run a special “Navy 
Blues” section in which advertisers honor the picture as the ‘Picture-of-the-Month.” 
Prospective advertisers include national tie-up dealers (see pages 8 and 9), music 
shops, department and specialty stores selling Navy Blue clothing or Navy-inspired 
accessories and costume jewelry. 


KES 


DEPARTMENT STORE 
COOPERATION 


Cooperating department store runs a 
week of special sales while the pic- 
ture is in town, featuring items with 
the sailor motif, such as sailor blouses, 
dresses with naval insignia, hats with 
a dash of navy about them, insignia 
jewelry. Store should also feature 
Navy Blue clothes. Store in advertise- 
ments announces that the sale will 
start with the opening of the picture 
and last for the run of the show. 


NAUTICAL FASHION 
SHOW FOR LADIES 


Many of the newest fashions in 
women’s clothes, accessories and cos- 
tume jewelry are inspired by naval 
uniforms and insignia. With coopera- 
tion of local department store, stage 
a “Navy Blues Fashion Show” in your 
lobby, on your stage or in the depart- 
ment store auditorium. Display fea- 
tures newest styles along these lines. 
Get newspaper coverage and window 
space plus department store ad. 


TWO BIG MAGAZINE 
FEATURES READY! 


September issues of ESQUIRE 
and SILVER SCREEN are both 
scheduled to carry important 
breaks on “Navy Blues," as 
we go to press. Here's hew you 
can put them to work locally: 


l. ESQUIRE — Full page photo 


of Ann Sheridan by Hurrell in 
addition to a story about her by 
Donald Hough. Get this issue and 
blow up photo and story for lobby. 
Esquire is distributing over 2,000 
two-color posters on Ann Sheri- 
dan in “Navy Blues” to their deal- 
ers. Posters are 22” x 28”. You can 
arrange for additional newsstand 
cards and window streamers. 


2. SILVER SCREEN _ Double 


spread of “Navy Blues” fashions 
which can be adapted to your 
other fashion promotions. If local 
stores can duplicate these fash- 
ions, use spread for window dis- 
plays and tie-up ads. Also cover 
this with newsstand cards, maga- 
zine inserts and window strips. 


Ke Ee 


DESIGNING CONTEST 


Most women are amateur fashion 
designers, many of them making or 
redesigning their own clothes. In a 
tie-up with leading department store 
offer prizes for best nautical fashions. 
Contest can be general or limited to 
students in fashion designing schools. 


Nautical Novelties for a Ship-Shape Advance Bally! 


<=NAVY CAP FOR GIVEAWAYS 


Fun for Evety 
Sere, A Fle * JACK OAKIE “ than 7 iy 
"3 trailers for your show. When cut out and as- 


é 


t Eves Swell for the kids — making ‘em all walking 
% Bit 


ANH nioet ack HALEY ” WAVY 
es . sTRAND *x Now Playing 


sembled per instructions it makes a sturdy 
sailor's cap. Printed on cardboard, 71/4" x 14”. 
Prices include imprint: 1M — $9.50; 3M — $9.00 
per M; 5M — $8.50 per M; 500 — $5.50. 


DIRECTIONS 

Cut eut beth parts of the Sailor Hat, oround the edges ofthe design. 

Then fold beck the four ends on dotted line 3. 

Place front and beck pieces together, with the short folded ends turned 
in, end fasten the twe short pieces together, using @ paper clip, © pin, er just 
paste them together. 

If hat size is too small, epen the ends, and fold on line 2, then re-fasten ox 
before, Hf still too smell, open the ends and fold on line |. 

Weer the hat et on angle, ot in illustration. 


CLOTH SAILOR HATS FOR STAFF———»> 


Put these on all ushers, soda clerks, newsboys and all per- 
sons participating in street ballys. Adult size furnished 
unless “children” specified. Prices: 4-20—25c each; 25-50— 
22c each; 60-100—19c each; 110 or over—17c each. Imprint 
$1.50 for any quantity. 


Order direct from Economy Novelty & Printing Co., 225 West 39th Street, New York City 


DOODLERS DOODLE 
IN YOUR LOBBY 


Everybody likes to paint mustaches 
on billboard posters. Why not then 
give your patrons a chance to get rid 
of this universal inhibition this way— 
and win a lot of laughs and interest 
at the same time. All you need do is 
post several one-sheets in lobby, pro- 
vide crayons and invite patrons to 
doodle their best—or their worst. The 
results alone will make a laugh-pro- 
voking display for effective use in your 
lobby or out front. 


WELCOME NAVY 


Recently when the fleet came into 
New York, all the merchants in town 
cooperated by welcoming the fleet in 
their ads and running special navy 
items in honor of it. Main Street mer- 
chants might be willing to come in on 
a special “WELCOME — ‘NAVY 
BLUES’ ” promotion, with welcome ads 
and window displays. Stores, of 
course, will plug their own specials 
such as sailor blouses, dresses of 
navy pattern and navy slack and 
play suits and naval costume jewelry. 


WARNERS’ TRAILER 


is full of gals, gobs and glee... 
an eye-filling send-off for your 
showing. Book it now at your Vita- 
graph Exchange and start it sell- 


ing at every show—two weeks in 


advance. 


GOBS AND GALS! 


Stage a newspaper contest to select 
a “Sextet of Navy Blues Girls” to be 
escorted by six sailors to the opening 
of the picture, first taking them to din- 
ner, and after the picture to a night 
spot. The contest to be a letter-writing 
one, the winners to be selected through 
the excellence of their letters on “Why 
I Would Like to Entertain a Gob.” The 
girls selected will be referred to as 
“(City’s) Navy Blues Sextet.” Some- 
one of the paper should introduce the 
Sextet to the sailors, the meeting to be 
broadcast. A layout of pictures, of the 
introduction, going to the theatre, din- 
ing dancing the Sextet making up to 
greet the boys, etc., is good for open- 
ing day break. The sailors could be 
selected by the newspaper from the 
Navy Base or through some patriotic 
organization such as the USO. 


Hog-Calling Contest 


Many of the boys in the U. S. Navy, in the Naval Reserves, the 
Coast Guard and other branches of sea service, come from the 
Middle West and other farming sections, and also, some are 
possibly members of the famous 4H Club. A “Hog-Calling Con- 
test” arranged to take place in any centralized section of town 
(even indoors) would be an unusual event to residents of your 


city. A hog-calling contest ties up with the picture, as Ann Sheri- 
dan is made love to by a farm boy, with his hog-calling tech- 
nique. The contest could be arranged between members of 
different branches of the service especially where there are 
naval bases, training schools, Coast Guard stations, etc. If too 
far inland, naval men can be selected while visiting in town and 
could be teamed against local boys. The winners of the contest 
are awarded prizes donated by merchants and also are guests 
of the theatre to see the picture. 


SHERIDAN vs. HARVARD 


Ann Sheridan has been thrice hon- 
ored by the editorial staffs of Har- 
vard's famous journals, The Lampoon, 
The Crimson, and The Harvard Ad- 
vocate. The former publications have 
had a long-standing feud with Miss 
Sheridan. The Advocate, however, 
offered Miss Sheridan an honorary 
editorship of the literary journal. Ask 
the local Harvard Alumni to state on 
which side of the fence they stand via 
an Inquiring Reporter newspaper or 
radio stunt. Also have the Alumni or 
local Harvard Club tender a testi- 
monial to Miss Sheridan. 


“OOMPH” AGAIN! 


Ann Sheridan is known as the “oomph 
girl.” How about running a contest to 
find the local high school girl with the 
most “oomph”? You could get together 
with high school student leaders and 
they could arrange the details. The 
contest winner is feted before and at 
the opening. Pick her by balloting, 
using the back of heralds as ballots. 


“Navy Blues” Sextet on National Tour! 


SELL THE SEXTET! 


Spotted throughout the pages of this 
press book are many ideas based on 
the fame of the gorgeous galaxy of 
gals known as the “Navy Blues” Sex- 
tet. Each has been planned to capi- 
talize fully for you the tremendous 
public acceptance this sextet has 
achieved. Here are two additional 
ideas: 


Day after opening have news- 
paper assign a Battle Page on 
which old timers state that the 
Floradora Sextet were unbeatable 
—and a contingent of youngsters 
say that the “Navy Blues” girls 
can't be topped. Tag line can 
state that the “Navy Blues” Sex- 
tet will appear as the Floradora 
Belles in Warners’ forthcoming 
“Tell Me Pretty Maiden.” 


Lobby contest shows blow-ups 
of each of the sextet with patrons 
voting for the most beautiful one. 
Keep score board nearby show- 
ing daily tally. 


Starting early in September, the most photographed group of 
beauties in the history of the film industry — the Navy Blues 
Sextet — takes wing on a cross-country theatre tour of 16 cities. 
From Hollywood they fly across country to New York, with 
engagements following in: BOSTON, PHILADELPHIA, BALTI- 
MORE, WASHINGTON, PITTSBURGH, CLEVELAND, INDIAN- 
APOLIS, DETROIT, CHICAGO, ST. LOUIS, KANSAS CITY, 
OMAHA, DENVER, SALT LAKE CITY and SAN FRANCISCO. 
Be sure to gather together all press publicity on their appear- 
ance in the key city nearest your town for lobby display. 


ADVERTISING SECTION 


The big picture thay 
introduces those Ship. 
shapely sirens the & 


NAVY Blea | 


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: HERBERT ANDERSON - JACK CARSON 
JACKIE C. GLEASON - Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin 


From a Story by Arthur T. Horman + A Warner Bros.-First National Picture 


Mat 304—91/, inches x 3 columns (399 lines) —45c 


LFA COOOL BEL, 
Ke, 


also 


HERBERT ANDERSON 
JACK CARSON 
JACKIE C. GLEASON 
Directed by LLOYD BACON 


Cooperation! 


Kiaenes Bros 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin 


A Warner Bros.-First National Picture 


From a Story by Arthur T. Horman 


Mat 214—131/, inches x 2 columns (382 lines) —30c 


13 


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A 
WARNER BROS. 
HIT 


also 


: HERBERT ANDERSON i 
_M-M-M-Music! JACK CARSON - JACKIE C. GLEASON 
Moree ee Directed by LLOYD BACON 


‘You're a Natural’ 
‘When Are We 


Going to Land Abroad’ 


Mat 402—7 inches x 4 columns (388 lines) —60c 


(For 3-column size of this ad, see page 20) 


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30c 


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Mat 305—71/, inches x 3 columns (303 lines) —45c 


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Meet the Girls! 
Greet the Gobs! 
: Hear the Songs! 


HERBERT JACK JACKIE C. 
ANDERSON : CARSON : GLEASON 
Directed by LLOYD BACON 


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A Warner Bros. - First National Picture 


Mat 111 


51. inches (78 lines) —15c 43/, inches (68 lines)—15c 


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ANDERSON : CARSON - GLEASON 
Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & 
Sam Perri 


in © From a Story by Arthur T. Horman 
Warner Bros. - First National Picture 


Mat 109 
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Thanks to the U. S. Navy 
for its co-operation. 


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ANDERSON - CARSON + GLEASON 
Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman& 
Sam Perrin * From a Story by Arthur T. Horman 
A Warner Bros. - First National Picture 


Mat 113 
41/4, inches (58 lines) —15c 


17 


FOR THAT 
WONDERFUL 
WHIRLWIND OF 


The Hit That ‘ 
Introduces the 


NAVY BLUES 
SEXTETTE 


A Fleet of Songs! 

“Navy Blues’, ‘In Waikiki’, 
“You're a Natural’,‘When Are 
We Going to Land Abroad’! 


Our thanks to also HERBERT ANDERSON « JACK CARSON + JACKIE C. GLEASON 
the Navy for its grand Directed by LLOYD BACON 
co-operation. Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin 
hae 0),, From a Story by Arthur T. Horman « A Warner Bros.-First National Picture 


= 


This slug can be sub- 
stituted in heading if 
ad is used day be- 
fore opening. 


Mat 302—8 inches x 3 columns (336 lines) —45c 


also HERBERT ANDERSON - JACK CARSON - JACKIE C. GLEASON 
Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam 
Perrin « From a Story by Arthur T. Horman . A Warner Bros.-First National Picture 


also 


HERBERT ANDERSON: JACK CARSON - JACKIE C. GLEASON - Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T Horman & Sam Perrin © Froma Story by Arthur T Horman * A Warner Bros.-First Nafional Picture 


Mat 212—4!/, inches x 2 columns (122 lines) —30c Mat 211—41/, inches x 2 columns (120 lines) —30c 


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Perrin » From a Story by Arthur T. Horman « A Warner Bros. -First National Picture 


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Mat 208—83/, inches x 2 columns (244 lines) —30c 


_A Fleet of Songs! Thanks to the U. S. 


‘Navy Blues’ + ‘in Waikiki’ Navy for its grand 
“You're a Natural’ * ‘When Are : 
We Going To Land Abroad’ co-operation. 


HERBERT ANDERSON = JACK CARSON «JACKIE C. GLEASON : Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin * From a Story by Arthur T Horman * A Warner Bros.-First National Picture 


Mat 213—61/, inches x 2 columns (178 lines) —30c 


19 


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/A-M-M-Music ! 
‘Navy Blues’ - ‘In Waikiki’ 
‘You're a Natural’ 
‘When Are We Going 
to Land Abroad’ 


With this Fleetful of Stars 
ANN JACK MARTHA JACK 


SHERIDAN -OAKIE- RAYE HALEY 


Plus those ship-shapely sirens 


We're grateful to 
the U.S. Navy for 
its co-operation. 


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HERBERT ANDERSON * JACK CARSON * JACKIE C. GLEASON THE NAVY BLUES SEXTETTE 


Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin 
From a Story by Arthur T. Horman « A Warner Bros.-First National Picture 


Mat 401—6 inches x 4 columns (332 lines) —60c 


Tenge, tags™ ) Dresed by LLOYD BACON 


‘When Are We a 
Going to Land Abroad’ j _——— 


Mat 303—5!1/, inches x 3 columns (219 lines) —45c 


(For 4-column size of this ad, see page 14) 


THE MIRACLE MARITIME MUSICAL! 


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HERBERT ANDERSON * JACK CARSON * JACKIE C. GLEASON and the Beautiful ‘‘Navy Blues Sextette’’ * Directed by LLOYD BACON 
Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin » From a Story by Arthur T. Horman 
A Warner Bros.-First National Picture 


Mat 306—2!/, inches x 3 columns (102 lines)—45c 


_ A FLEET OF FUN FOR EVERYONE! 
SHERIDAN + 


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JACKIE C. GLEASON : Directed by LLOYD BACON 


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From a@ Story by Arthur T. Horman + A Warner Bros.-First National Picture 


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Directed by LLOYD BACON 


Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin 
From a Story by Arthur T. Horman »* A Warner Bros.- First National Picture 


Order Mat 115 — 15c¢ 


HERBERT ANDERSON « JACK CARSON « JACKIE C. GLEASON ' 

and the Beautiful ‘‘Navy Blues Sextette’’» Directed by LLOYD BACON 

Screen Play by Jerry Wald & Richard Macaulay and Arthur T. Horman & Sam Perrin 
From a Story by Arthur T. Horman * A Warner Bros.+First National Picture 


Mat 116 
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Directed by LLOYD BACON 
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A Warner Bros.-First National Picture 


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Vitaphone Shorts Subjects Official Billing 
HOLLYWOOD NOVELTIES shows us “Polo With The Stars” with WARNER BROS. 40%, 
Buddy Rogers, Jack Oakie, and Joe E. Brown. Something a little Pinsarke. |. 1ae: Peepedia 5%, 


different. 7301—Hollywood Novelties—10 mins. 


LOONEY TUNES says “Notes To You.” Porky and his pals are 
back again in a fast paced reel that’s made for fun. 7601— 
Looney Tunes—7 mins. 


MERRIE MELODIES featuring “Inki And The Lion” in Technicolor. 
Little Inki sets out hunting wild animals, 6723—Merrie Melodies 


“NAVY BLUES” = 


with 


ANN JACK MARTHA JACK 


| SHERIDAN OAKIE RAYE HALEY 


(Note: Oakie must have 2nd position; Martha Raye, 3rd; Haley, 4th. 
Haley’s name must be in same size type as Oakie’s. No male member 
of cast may be billed in larger size type than name of Oakie.) 


HERBERT ANDERSON e JACK CARSON e JACKIE C. GLEASON 20% 


—7 mins. 


BROADWAY BREVITIES turns to the “Happy Faces” of Mack 
Sennett days for a riotous old time slapstick comedy. 6209— 


Broadway Brevities—20 mins. and the 

BEAUTIFUL “NAVY BLUES SEXTET’ 257% 
HOLLYWOOD NOVELTIES has “Trouble In Store” with the ae 
Grouch Club and Arthur Bryan in an unusually hilarious fun DIRECTED BY LLOYD BACON 25% 
can smn Mat Noveltics—10 mins. Screen Play by Jerry Wald and Richard Macaulay 3%, 
SPORTS PARADE in Natural Color shows us how “It Happens eS et tee nae rons 3% 
On Rollers,” featuring the country’s leading roller skaters, among From’ aes ay. Laraic T. Horman 8 
them lovely Gloria Nordskog. 6409—Sports Parade—10 mins. Ge a egg Ve Pont rae ae eS 


21 


THE 
Margie Jordan’... wou. 
Cake tare ok ors 
Litthelle Botton... oe ee 
Powerhotisexbélfon 23505 et 
Homer Matitews , = 1.2. 
Buttes: Johnson? 6 i se 
Tere ee eR eae ee 
Mii ah ER ae 
Rocky Anderson’. 6.0. 3. % 
JOSE cys ss e+ > corks eas 


CAST 


ANN SHERIDAN 
JACK OAKIE 
MARTHA RAYE 
JACK HALEY 
Herbert Anderson 
. Jack Carson 
Jackie C. Gleason 
William T. Orr 
Richard Lane 
John Ridgely 


and 
THE NAVY BLUES SEXTET 
Katharine Aldridge, Georgia Carroll, Marguerite Chapman, 
Peggy Diggins, Loraine Gettman and Claire James 


PRODUCTION STAFF 


Directed by LLOYD BACON 


Screen Play by Jerry Wald and Richard 
Macaulay and Arthur T. Horman and 
Sam Perrin; From a Story by Arthur T. 
Horman; Director of Photography, Tony 
Gaudio, A.S.C.; Film Editor, Rudi Fehr; 
Sound by C. A. Riggs; Dance Sequences 
Photographed by Sol Polito, A.S.C., and 
James Wong Howe, A.S.C.; Dialogue 
Director, Eddie Blatt; Gowns by Howard 
Shoup; Art Director, Robert Haas; Dance 
Numbers Directed by Seymour Felix; 
Technical Advisor, J. J. Giblon; Special 
Effects by H. F. Koenekamp, _A.S.C.; 
Music and Lyrics by Arthur Schwartz and 
Johnny Mercer; Orchestral Arrangements 
by Ray Heindorf; Musical Director, Leo 
F. Forbstein; Makeup Artist, Perc West- 
more. 


This Picture Produced Under the Auspices 
of the Motion Picture Committee, Co- 
operating for National Defense. 


22 


THE STORY 


(Not for Publication): As the battleship Cleveland ap- 
proaches Honolulu, Cake O'Hara (Jack Oakie) and 
Powerhouse Bolton (Jack Haley), two slap-happy gobs, 
are eagerly looking forward to shore leave. Financial 
phenaglers both, they are always looking for ways to 
turn a dishonest penny, and think that they've found it 
when they run into Homer Matthews (Herbert Anderson) 
in Honolulu. Homer is the navy's best gun pointer and 
he confides to the boys that he has just been transferred 
to their ship. Cautioning him to secrecy, they proceed to 
place heavy bets on the Cleveland's winning the navy 
gunnery contest, In Honolulu they also encounter Power- 
house's wife Lillibelle (Martha Raye), out to collect her 
alimony. She and Margie (Ann Sheridan) are entertainers 
at a night club there, and when the boys run into a snag 
with their easy-money scheme they appeal to Margie 
for help. It seems Homer's enlistment is up and he in- 
tends to leave the navy to go back to his farm in lowa 
—the day before the gunnery contest. Margie's job is 
to make him fall in love with her and reenlist so he can 
stay near her. Homer falls, but hard, until some of the 
other sailors tell him of the plot. He has reenlisted, but 
the day of the contest he is so miserable that he can't 
even point a gun. Margie saves the day, however, by fly- 
ing out in a plane over the Cleveland and signalling to 
Homer that she really does love him. (Running Time: 
108 minutes.) 


Navy Blues’ Gala Musical 
With All-Star Comedy Cast 


Forsaking fight and frenzy 
for fun and frolic, “Navy 
Blues,’ Warner Bros. picture 
coming to the Srand Theatre 
Friday, will uncork a barrel of 
mirth and music as Ann 
Sheridan, Jack Oakie, Martha 
Raye, Jack Haley and the 
Navy Blues’ Sextet outdo 
themselves in a comedy of er- 
rors. 

The only battle in this bat- 
tleship picture is a battle of 
wits and wisecracks and the 
guns constantly roar out sal- 
vos of frivolity even in target 
practice. 

The story is the amusing 
tale of two slap happy gobs 
on the U.S.S. Cleveland who 
get into double trouble in 
Hawaii by trying to evade 
two gallivanting gals, and by 
trying to filch their  ship- 
mate’s pay. 

The gobs are played by Jack 
Oakie and Jack Haley, the 
girls by Ann Sheridan and 
Martha Raye. In the picture 
Martha, as Haley’s ex-wife, is 
trailing him in quest of ali- 
mony. The last time she 
caught up with him was in 
San Diego where he swore 
she was an international spy 
and had her thrown into jail. 

To win more Navy cash the 


‘ gobs are in search of a way 


to assure the Cleveland’s win- 


ning the fleet gun target title. 


They bump into Herbert An- 
derson, playing a quiet, corn- 
fed little tar from the U.S.S. 
Wisconsin, who  has_ been 
transferred to the Cleveland. 
When they discover that he 
happens to the world’s great- 
est gun pointer, they take him 
in charge, hide his identity 
and bet the Wisconsin sailors 
15 to 1 that the Cleveland will 
win the target championship. 

In need of ready cash to 
press their bets the gobs hit 
up a hardboiled petty officer 
(Jack Carson) for some front 
money with the promise he’ll 
get it back with plenty of in- 
terest the next day. They 
then pawn the ship’s trophies 
for additional coin. 

When the two Jacks learn 
that Herbert’s enlistment will 


be up the day before the tar- 
get contest and that he will 
not reenlist because he’s home- 
sick for his farm in Iowa, they 
grow frantic. To recoup their 
lavish bets they parade Her- 
bert around the island reveal- 
ing his identity hoping that 
the Wisconsin boys will call 
off their bets. The gobs find 
out, however, and let the bets 
ride. 

When Carson discovers he 
is being bilked and the sailors 
learn their ship’s’ trophies 
have been pawned they chase 
Oakie and Haley into a fash- 
ionable luau where Ann 
Sheridan is dancing. They 
grab a couple of spare grass 
skirts and join the chorus. 

Begging the furious gobs 
for another chance to get back 
the money and redeem the 
ship’s trophies, they prevail on 
Ann to play up to Anderson 
to get him to reenlist. Ann 
consents and pretends that she 
is a farm girl. After learning 
that Anderson holds a num- 
ber of hog calling titles she 
waxes enthusiastic over his 
prowess. He has just about 
fallen in love with her when 
some of the Wisconsin szilors 
tip him off. 

From then on the plot gets 
even more complicated until 
Ann realizes she actually is in 
love with Herbert and she has 
to hog call and hog collar him 
to prove it. The Cleveland 
wins the target championship 
and everything ends in a nauti- 
cal ship-shape fashion. 

The Navy Blues Sextet, a 
beauteous crew composed of 
Peggy Diggins, Georgia Car- 
roll, Loraine Gettman, Mar- 
guerite Chapman, Katherine 
Aldridge and Claire Jones, 
gets a chance to swing into 
some unusual Hawaiian har- 
mony, singing “In Waikiki,” 
“You’re a Natural” and other 
song hits written for the pic- 
ture by Johnny Mercer and 
Arthur Schwartz. 

The picture was produced 
by Hal B. Wallis and directed 
by Lloyd Bacon from a story 
written by Arthur T. Horman, 
and adapted for the screen. 


Still NB 66; Mat 205—30c 


THE NAVY HAS LANDED and Ann Sheridan (right) seems to have the 
situation well in hand. With Jack Haley, Martha Raye and Jack Oakie, she 
heads the cast of the maritime musical, ‘Navy Blues,"" which sails into the 


Strand Friday. 


Here's a Foto-Feature with Plenty of 
Eye-Appeal. It's a Swell Advance Blurb 
for Newspaper Planting or for a Blow- 
Up in Your Lobby. 


To find the six beauties to be featured as 
the Navy Blues Sextet, Warner Bros. can- 
vassed the Navy and had no trouble at 
all persuading the far from reluctant 
sailors to choose from the hundreds of 
photographs shown to them. Result — the 
scintillating sixsome shown in action on 
this page. Their names — Kay Aldridge, 
Georgia Carroll, Loraine Gettman, Claire 
James, Marguerite Chapman and Peggy 
Diggins. The phone numbers? — sorry! 


The girls shared a big dressing room 
on the set. While waiting to be called 
for their scenes, they had bull ses- 
sions, did each other's nails, etc. On 
the foreground bed are blonde 
Georgia Carroll and Loraine Gett- 
man, two former models whose pho- 
tographs you've seen hundreds of 
times. On the adjoining bed (left to 
right) Claire James, a recent Miss 
America, Peggy Diggins and Mar- 
guerite Chapman, two more models, 
and Kay Aldridge, labeled ''the most 
beautiful girl in America," by Billy 
Rose. Lucky photographer! 


The Sextet is decorating "Navy Blues," a 
cinematic thesis with Ann Sheridan, Mar- 
tha Raye, Jack Oakie and Jack Haley, the 
aim of which is to prove that a gob's life Their bathing suits are their working clothes. And 
can be a merry one. Accompanying pho- ce ei eee 
tographs show the busy beauties during ene ee ieee 
a typical day on the set of "Navy Blues." 


While they're at it, the Sextet makes "contact" with one of the 
Navy's big babies. Let 'er go, girls! 


Up the ladder! "Navy Blues'' may mean the 
see spesncerecnore: start of a really important movie career for 


any or all of the six. They've got everything 
else, and playing opposite such veterans as 
Ann Sheridan, Martha Raye, Jack Oakie and 
Jack Haley is giving them vital experience. 


Join the Navy? It's a pleasure! That's the way 
Bud Jones of Los Angeles feels about it as he 
prepares to sign on the dotted line. The girls 
are doing their bit for Uncle Sam's first line of 
defense by acting as pro tem enlistment officers. 


Dance Director Seymour Felix puts 
the girls through a practice session 
for the movie. They do a hula in a 
South Sea Island locale for one 
scene of "Navy Blues." 


Ann Sheridan, who climbed the glamour road to top stardom, THE END .. . but it will probably prove to be only the beginning 
helped the girls along with many friendly tips. Here they're of the road to fame and fortune and film stardom for the lithe- 
shown with her in a scene from the picture. some lovelies of the Navy Blues Sextet. 


Mat of Art and Type Available. Order Mat "NB 501B"—60c—From Campaign Plan Editor, 321 W. 44th St., N. Y. C. 


"NAVY BLUES'—PUBLICITY 


Ann Sheridan Tops Cast 
Of Gay New Musical 


Full of gals, gags and gor- 
geous sets, “Navy Blues,” is 
an eye-filling filmusical which 
begins a local engagement at 
the Strand Friday. Concerned 
with sailors on leave in Hono- 
lulu, it has an all-fun cast 
headed by Ann Sheridan and 
including Jack Oakie, Martha 
Raye, Jack Haley, Herbert 
Anderson, Jack Carson, Jackie 
C. Gleason and the Navy Blues 
Sextet, six of the loveliest 
girls Warner Bros. could find 
anywhere. 

Working with an_ allout 
budget, Art Director Robert 
Haas shot the works in con- 
cocting 10 huge sets on the 
Burbank lot and two more on 
locations at Laguna Beach, 
Calif., and San Diego. 

These include authentic rep- 
licas of whole sections of 
Honolulu, including the main 
street itself, as well as por- 
tions of Waikiki Beach (at 
Laguna) and an actual repro- 
duction of the principal naval 
landing dock at Pearl Harbor, 
built in San Diego. 

Ten elaborate dance rou- 
tines in which beauties of the 
show world as well as native 
dancers participate were de- 
vised by Seymour Felix, the 
man generally credited with 
the late Flo Ziegfeld’s brilliant 
success. Felix has also con- 
ceived special dances for 
Miss Sheridan and Miss Raye, 
cast as Honolulu night club 
entertainers. Their costumes, 
to say the least, are interest- 
ing. 

Apparently it took a filmu- 
sical having the healthy pro- 
portions of “Navy Blues” to 
lure Arthur Schwartz away 
from Broadway. The brilliant 
New York tunesmith has suc- 


Gags, Gols, Gals 
Go Hand-in-Hand 
In ‘Navy Blues’ 


“Navy Blues,” a story of 
reckless gobs and gorgeous 
gals frolicking on and off a bat- 
tleship in Hawaii, and starring 
Warner Bros. cinema clowns 
Ann Sheridan, Jack Oakie, 
Martha Raye and Jack Haley, 
will start at the Strand The- 
atre here Friday. 

In this Potpourri of comedy, 
sailors Jack Oakie and Jack 
Haley try to filch their ship- 
mate’s paychecks and pawn 
their battleship’s trophies with 
almost disastrous results; Ann 
Sheridan both hog calls and 
hog collars her man Herbert 
Anderson; and Martha Raye 
chasing her ex-husband, Jack 
Haley, gets thrown into jail 
accused of being an interna- 
tional spy. 

The plot revolves around 
Gobs Oakie and Haley who go 
to great lengths to see that 
their battleship, the Montana, 
wins the fleet gunnery cham- 
pionship, and they go to even 
greater lengths to see that 
they win the bets which they 
have made at 15 to 1 with the 
tars of the U.S.S. Wisconsin. 

Music and dancing by the 
Navy Blues Sextette, dressed 
in hula skirts and leis feature 
the production’s softer mo- 
ments. “In Waikiki,” “Your a 
Natural,” and other song hits 
of the show were written by 
Johnny Mercer and Arthur 
Schwartz. 

The picture was directed by 
Lloyd Bacon and produced by 
Hal B. Wallis from a_ story 
written by Arthur T. Hor- 
man. 


24 


cessfully balked all previous 
efforts on the part of Holly- 
wood producers to secure his 
services for films. 

You’ve heard a lot of 
Schwartz tunes. They include 
“Dancing in the Dark,” “Give 
Me Something to Remember 
You By,” “Louisiana Hayride,” 
“I See Your Face Before Me,” 
“I Love ‘ Louisa,” “You and 
the Night and the Music,” 
“Tennessee Fish Fry,” ‘‘Good- 
bye Jonah,” “An Old Flame 
Never Dies” and “You and I 
Know. “Navy Biies is 
Schwartz’s initial Hollywood 
assignment, and for it he has 
written a half-dozen songs for 
the principals to sing and 
dance to. The result is some- 
thing just a little short of ter- 
rific. 

Jerry Wald and Richard 
Macauley, two of Warner 
Bros.” brighter boys, have 
cooked up a script for the pic- 
ture which is designed ex- 
clusively for laughs. Script is 
based on a story by Arthur 
T. Horman. 

And because no filmusical is 
worth its footage unless there 
are lots and lots of pretty 
girls weaving in and out of 
camera range, “Navy Blues” 
has them, too. To make sure 
that the film has the type of 
beauties sailors like best. War- 
ner Bros. submitted photo- 
graphs of hundreds of girls to 
gobs stationed throughout the 
country. The girls finally 
chosen by the sea-going boys 
form the Navy Blues Sextet. 


Still AS 903; Mat 102—15c 


EYEFULL OF OOMPH—or, in other 
words, Ann Sheridan, who takes over 
the Navy in her newest starring role. 
Film is "Navy Blues," coming to the 
Strand on Friday. 


‘Navy Blues’ Brings Back 


Cycle of Film Musicals 


Cheerful people everywhere 
as well as those who would 
like to find some reason to be 
cheerful, will welcome the an- 
nouncement that screen mu- 
sicals, those flashy, tuneful, 
hilarious pictures such as 
helped drag the nation out of 
its financial doldrums eight or 
nine years ago, are back. 

“Navy Blues,” the first of 
several musical pictures from 
Warner Bros., with a nautical 
background and with Ann 
Sheridan, Jack Oakie, Martha 
Raye, Jack Haley, Eddie Al- 
bert and the “Navy Blues Sex- 
tet” of beautiful girls opens 
on Friday at the Strand The- 
atre. The big idea of this pic- 
ture is to provide the best fun 
for the most people. 

Like the now famous pic- 
ture, “42nd _ Street,” with 
which Warners helped coun- 
teract the low spot of the late 
depression, the days of closed 
banks and the inauguration of 
President Roosevelt for his 
first term, “Navy Blues” ar- 
rives as an_ entertainment 
bright spot in a period of un- 
certainty and concern over a 
new world war. Warner Bros. 
hope it will be as much of an 
omen of better things as was 
the other, earlier picture. 

The same company is pre- 
paring three other musical 
subjects of equal importance 
and promise. One of these, 
called “Yankee Doodle Dandy,” 
will star James Cagney in the 
story of George M. Cohan’s 
life and career, bringing in 


ON THIS PAGE—Five specially written advance stories de- 
signed to sell the gals, gobs and gag angles of the picture. 
Start planting them week before your playdate. 


‘Navy Blues’ All for Fun, and Fun for All 


Warner Bros., who several 
years ago were giving us the 
biggest, most glittering, girl- 
studded musical pictures to 
emanate from Hollywood, has 
returned to that gay medium 
with “Navy Blues,” an eye- 
filling comedy set to music, 
which is coming to the Strand. 

Heralding the return to the 
screen of Ann Sheridan for 
her first film in approximately 
six months, ‘Navy Blues” also 
brings Martha Raye out of 
temporary Hollywood retire- 
ment. In addition, the cast in- 
cludes Jack Oakie, Jack Haley, 
Eddie Albert, Jack Carson and, 
new to films, Jackie Gleason 
of night club fame. 

Elaborately set and elab- 
orately cast, “Navy Blues” was 
written by Jerry Wald, its co- 


GLAMOR GALORE in the Navy Blues Sextet. 


producer, and Richard Macau- 
lay strictly along laugh lines. 

Lots of pretty girls includ- 
ing the “Navy Blues Sextet,” 
the six girls selected by the 
gobs of the U. S. Navy as the 
loveliest lookers in Hollywood, 
and lots of gags for the prin- 
cipals to bandy about are fea- 
tured in “Navy Blues,” which 
is designed for the express 
purpose of entertaining the 
customers along the lush, ex- 
travagant lines of all-out eye 
and ear pleasure. 

Songs for the big musical 
were written by Arthur 
Schwartz, Broadway’s clever- 
est tunesmith, composer of 
such favorites as “Louisiana 
Hayride,” ‘Dancing in the 
Dark,” “I Love Louisa,” “You 
and the Night and the Music” 


and “Give Me Something to 
Remember You By.” This 
marks Schwartz’s initial Hol- 
lywood venture. 

Elaborate dance routines for 
the film were devised by Sey- 
mour Felix, veteran choreog- 
rapher who staged some of 
the great Ziegfeld’s most 
memorable Broadway  suc- 
cesses and who brought big- 
scale musicals to Hollywood 
nearly a decade ago. 

Fast, funny, and flip, “Navy 
Blues” has been dished up in 
highly digestible form, with 
comics Oakie and Haley carry- 
ing the ball for laughs and 
the delectable Ann Sheridan, 
together with a fresh and eye- 
filling crop of cuties putting 
their curves where they do the 
most good—on the screen. 


Still NB 711; Mat 301—45c 


Left to right, they're Peggy Diggins, Marguerite Chapman, Georgia 


Carroll, Katharine Aldridge, Loraine Gettman and Claire James and you'll be seeing them in "Navy Blues." 


: Macaulay, 


many of his famous hit songs 
from New York stage suc- 
cess. 

Another proposed musical 
picture is temporaily called 
“The Life of Gershwin,” and 
this, as the title indicates, will 
deal with the musical career 
of the young genius who wrote 
music that the whole world 
recognizes and loves. 

“Carnival in Rio” is the 
fourth musical which Warner 
Bros. plans to make this sea- 
son to add to the gaiety—and 
good will—of nations. This is 
to be a South American story 
without the usual phoney 
South American atmosphere 
but with more understanding 
and a real respect for our 
Latin neighbors. This picture 
will be filmed in Technicolor. 

The motion picture industry 
has been triumphing over the 
obstacles of wartime condi- 
tions and feels that the rein- 
troduction of musicals with 
their brilliance, color and 
gayety, will add still further 
assurance of continued popu- 
larity for American films the 
world over. 

A bright comedy script, a 
tuneful musical score with 
four songs that seem destined 
to be the nation’s next hits, 
and a number of highly orig- 
inal production numbers, which 
were directed by the late Flo 
Ziegfeld’s ace dance director, 
Seymour Felix, are the ingre- 
dients which make “Navy 
Blues” as tasty a dish of musi- 
cal film fun as the screen has 
ever cooked up for the enter- 
tainment and delight of thea- 
tre audiences. The picture was 
directed by Lloyd Bacon, vet- 
eran film director. 


Two Queens and 
Four Jacks Head 
‘Navy Blues’ Cast 


If poker hands mean any- 
thing to a movie cast, Warner 
Bros. has better than an all- 
pictures full house in “Nevy 
Blues,” the big filmusical 
which opens Friday at the 
Strand. 

Four Jacks and two Queens 
would be an over-size hand in 
anybody’s poker game and 
that’s exactly what “Navy 
Blues” is holding in its big, 
all-fun cast. . 

Ann Sheridan and Martha 
Raye are the Queens. Jack 
Oakie, Jack Haley, Jackie C. 
Gleason and Jack Carson are 
the Johnnies, and for good 
measure, although he doesn’t 
fit into the poker arrange- 
ment, are Herbert Anderson, 
geting the biggest break of his 
career, and six de-lovely girls 
dubbed the Navy Blues Sex- 
tet. 

In contriving “Navy Blues,” 
Hal Wallis, Warner Bros. ex- 
ecutive producer, has gone all- 
out for loveliness and laughs. 

Sparkling songs were writ- 
ten for “Navy Blues” by Ar- 
thur Schwartz and Johnny 
Mercer. Extravagant,  girl- 
studded dance routines were 
concocted by Seymour Felix, 
the man who staged all of the 
late Flo Ziegfeld’s greatest 
successes. A  laugh-a-minute 
script, contrived to give full 
scope to the four Jacks’ wise- 
cracking (plus lots of nifties 
for Miss Sheridan and Martha 
Raye) was written by Richard 
Jerry Wald, Sam 
Perrin and Arthur T. Horman, 
from a story by Arthur T. 
Horman. Lloyd Bacon directed. 


"NAVY BLUES'—PUBLICITY 


Still NB 117; Mat 206—30c 


ON THE BEACH AT WAIKIKI—Jack Oakie tries to make a little time with 
Ann Sheridan—and who can blame him? Scene is from their new filmusical, 
“Navy Blues,"’ which opens today at the Strand Theatre. 


Jack Oakie’s Clowning 


Swell in ‘Navy Blues’ 


“Put a cap and bells on 
him,” wrote one critic, “and 
you have Jack Oakie—a court 
jester with a broad streak of 
sentimentality that hides under 
the cloak of 
A: P2106. OWs 


# pictures for 
: lo, these last 
713 years, is 
; peddling the 
: Same sort of 
: antics now, in 
Warner 
Mat 104—15c Bros.’ “Navy 
Blues,” as when he _ first 
stepped before Hollywood’s 
cameras in 1928. Jack knows 
what audiences expect of him 
and he’d be the last man to 
vary his type of zaney humor. 
There’s only one noticeable 


change in the early-days Jack 
and the Oakie of today. That’s 
a more than sizeable girth, ac- 
quired somewhere along the 
way. Jack weighs in at about 
60 pounds more today than 
when he first hit Hollywood. 
Everything else about the 
man is much the same, includ- 
ing the hoarsely delivered 
wise-crack, the love for laughs 
and other clowns about him 
with whom to trade banter. 
In this direction he’s well 
fixed at present, for in “Navy 
Blues” he’s cast with Martha 
Raye, Jack Haley, Jackie C. 
Gleason of New York night 
club fame and Jack Carson, no 
mean wags themselves. Jack’s 
also finding that Ann Sheridan, 
who heads the large filmusi- 
cal’s cast, has a wit of her own. 
In fact Jack’s pretty darned 
happy about his role in “Navy 
Blues.” It’s the kind of clam- 
bake in which he feels at home. 


Still NB 65; Mat 207—30c 
“WHO, ME?" Jack Oakie wants to know and Jack Carson says, "Yes, you!" 
Jack Haley (left) and Oakie play slap-happy gobs and Carson their long- 
suffering superior in "Navy Blues," new comedy with music. 


/ Navy Blues” Sails 


(Review ) 


Into the Strand 


With A Cargo of Fun for Everyone 


“Navy Blues,” Warner Bros.’ 
streamlined musical comedy 
which comes to the Strand 
Theatre Friday, trips the light 
fantastic from the opening 
scene to the closing grand 
finale 108 minutes later. 

Here is a compote of mirth, 
melody, dancing and_ song 
hits seasoned well to please 
the entertainment appetite of 
the most epicureanized theatre 
goer. 

Choicest plums in this movie 
dessert are the dancing-sing- 
ing comediennes, Ann Sheri- 
dan and Martha Raye, and 
the boisterous buffoons, Jack 
Oakie and Jack Haley. 

The story which skips 
around on and off the battle- 
ship Cleveland anchored in 
Hawaiian waters, finds the 
Jacks hopping about from the 
frying pan into the fire every 
time. Their bag of pranks is 
as full as old Santa’s toy sack 
at Christmas time. 

Haley accuses his ex-wife, 
Martha Raye, of being an in- 
ternational spy and has her 
thrown into jail. Oakie pawns 
the ship’s trophies and can’t 
get them back. Both clowns 


Still NB 75; Mat 108—15c 
A GIRL AND HER GOB—Ann Sheri- 
dan and Herbert Anderson go ro- 
mantic for this scene in "Navy Blues," 
gay musical funfest at the Strand. 


Ann Sheridan's 
Six Star Steps 


Ann Sheridan, who is doing 
all right for herself in Holly- 
wood, recently formulated Six 
Commandments for a_half- 
dozen girls who hope to do as 
well. 

The girls are the Navy Blues 
Sextet, and all are getting 
their first good movie break in 
Warner Bros.’ “Navy Blues,” 
in which Ann stars. 

Here are Ann’s Command- 
ments: 

1—Everyone will kid you in 
Hollywood except your mirror. 
Keep it polished. 

2—Be a good trouper and 
let the close-ups fall where 
they may. 

3—Be nice to prop men: the 
producers can (and do) take 
care of themselves. 

4—Know thy cutter — he’s 
your bread and butter. 

5—Look for the silver lin- 
ing, but keep an eye out for 
any loose gold floating around, 
too. 

6—Honor thy diet, else the 
avoirdupois shall inherit the 
girth. 

The girls to whom Miss 
Sheridan issued her Com- 
mandments are Peggy Diggins, 
Marguerite Chapman, Kay 
Aldridge, Claire James, Geor- 
gia Carroll and Loraine Gett- 
man of the Navy Blues Sextet. 


kidnap the fieet’s champion 
gun pointer, Herbert Ander- 
son, who has been transferred 
to their ship, and bet their 
shipmate’s pay checks on the 
outcome of the target title. 
When their chicanery doesn’t 
work they get chased all over 
the island and end up in a 
couple of hula skirts where 
they do a swing version of the 
hula with Ann Sheridan, a 
bevy of native dancers and 
the Navy Blues Sextet. 

The only thing “right” that 
the Jacks do is to lead Ann 
Sheridan into the arms of gun 
pointer and hog caller Her- 
bert Anderson to serve their 
own ends. Complications are 
so frequent they trip over each 
other and the picture is 108 
minutes of laughs. 

Song hits “In Waikiki’ and 
“You’re a Natural,” as well as 
others written by Johnny Mer- 
cer and Arthur Schwartz, get 
a spring board swan dive into 


melody fame from the throats 
of Ann Sheridan, Martha Raye 
and the Navy Blues Sextet. 
The Sextet, a panoply of color, 
beauty and dancing grace, is 
composed of Peggy Diggins, 
Georgia Carroll, Loraine Gett- 
man, Marguerite Chapman, 
Katharine Aldridge and Claire 
James. 

Lloyd Bacon’s direction is 
super-smooth, weaving the big 
song and dance numbers in 
with the story sequeneces with 
perfect integration. Perform- 
ances are all well-keyed for 
comedy, and Ann Sheridan is 
at her best in the role of the 
cynical show girl who goes 
soft over a country-boy gob. 
Herbert Anderson, a_ screen 
newcomer, makes the most of 
this role and shows promise 
as an up-and-coming leading 
man with a grand comedy 
flair. 

If it’s fun you want, “Navy 
Blues” is your picture! 


Busy Comic Jack Haley 
Wishes He Were Twins 


Hollywood thinks it owes 
starry-eyed Jack Haley an 
apology for not discovering 
him sooner and keeping him 
busier, but Jack doesn’t agree. 

He’s glad he caught on as 
early as he did, and certainly 
he couldn’t be any busier than 
he is today. He’s in practically 
every scene of Warner Bros.’ 
“Navy Blues,” the big filmusi- 
cal with a cast including Ann 
Sheridan, Jack Oakie, Martha 
Raye, Jack Carson, Herbert 
Anderson and the Navy 
Blues Sextet. 


His commitments are stacked 
up six deep ahead of him and 
when Hollywood can spare the 
man, Broadway is poised ready 
to spring at him. Jack Haley 
reverently wishes there were 
two or three of him, so one of 
him could get a rest now and 
then. 

Jack Haley was born in 
Boston, Mass., on August 10 
and, in spite of a father, John 
Haley, who wished him to fol- 
low in his footsteps as a deep- 
water navigator, had his eye 
on a Stage career from the first. 
Jack made his singing debut at 
a church social when only six, 
followed it with class plays at 
Dwight Grammar School and 
Boston English High and 


low merely 


then, when he had saved $15, 
ran away from home. 
Followed a session as a song 
plugger in Philadelphia and 
then his first professional en- 
gagement, in vaudeville. 
Haley’s engagements after 
this came so fast and were so 
varied that 
space will al- 


for their list- 
ing: 

First,. six 
months of 
small - time 
variety, then 
big - time 
vaudeville 
when he 
played the 
Keith Circuit 
with The 
Lightner Girls and Alexander 
for a year and a half. (One of 
the Lightner Girls, Florence 
McFadden, was later to be- 
come his wife.) 

Next Haley joined Charley 
Crafts in an act dubbed “Crafts 
and Haley,” and reached the 
goal of all vaudevillians, the 
Palace Theatre, New York. 
Then followed several years in 
Broadway musicals. Film pro- 
ducers took notice and Haley 
was on his way. 


Mat 103—15c 


Still NB 748; Mat 204—30c 


HONOLULU, HERE WE COME—and how do you like the scenery? Ann 
Sheridan (with the ukulele) leads the six lithesome lovelies of the Navy Blues 
Sextet in a bit of a tune in the Strand's new musical, "Navy Blues." 


25 


"NAVY BLUES'—PUBLICITY 


Still Pub A 158; Mat 203—30c 


ANN SHERIDAN JOINS THE NAVY—and how do you like her new uni- 
form? Ann, the uniform, and some of the Navy are currently on display at 
the Strand in the new hit musical, ‘Navy Biues.' 


She 


Ann Sheridan, Warner Bros.’ 
“oomph” girl, like Lady Go- 
diva, rode to fame on a horse! 

Ann rode the spectacular 
avenues of Burbank, Calif., 
clothed in glamour. Ann had 
ambition to be a movie star. 
Her horse carried her along 
the path which eventually led 
to fame and fortune. 

Ann Sheridan, who appears 
in Warner Bros.’ new comedy 
feature, “Navy Blues,” now at 
the Strand, was born and 
bred in Denton, Texas. Her 
name then was Clara Lou. 
Typical of so many Texas 
girls she was big boned, broad 
shouldered and husky voiced. 
She excelled in swimming, 
basketball, tennis and of all 
things — football. 

Riding isn’t mentioned as 
one of her favorite pastimes 
because riding was one of 
those natural things to her. 
She was almost born in the 
saddle, she said. Little did she 
dream that in the saddle she 
would find the key to the 
gates of fame and fortune. It 
all happened this way: 

While a student at North 
Texas State Teachers’ College 
in Denton she won a trip to 
Hollywood and a movie screen 
test. Her ambitions to gain 
recognition in the movies 
soared and when she was 
asked to ride in Western pic- 
tures she felt at home. She 
played small bit parts for a 
while which meant lots of 
riding and little acting. 

One day she quit, got an 


26 


Here's a brand-new feature 
angle on Ann Sheridan, who is 
always good copy. Show it to 
your editor! 


ode a Horse to Fame! 


agent and free lanced. She 
played in stock companies, ac- 
quired experience in acting, 
dialogue and singing, and then 
she fought for recognition 
until Warner Bros. took notice 
of her possibilities. 

Her leap to the pot of gold 
at the end of the movie rain- 
bow happened after Warner 
Bros. tagged her its “oomph” 
girl. She didn’t like the name 
at all, but admitted that it had 
the Midas touch and flung her 
into the milky way along with 
the other stars. 


Herbert Anderson 
Makes Good, And How! 


Herbert Anderson is a nice, 
gawky, quiet kid who started 
studying for the ministry and 
ended up kissing Ann Sheridan 
—in the movies. 


He was just 
s another con- 
tract boy at 
A ae EL Gh 
DOS a aeeie 
signed to 
being stuck 
behind the 
nearest 
‘potted palm 


close, 
Mat 106—15c Herbert was 
yanked from 

obscurity to a featured role in 
“Navy Blues.” His part calls 
for him to kiss Ann Sheridan 
37 times. Some part, huh kid? 


Martha Raye Got 
There the Hard 
Way—And Stayed! 


“Slappy-go-Lucky” Martha 
Raye, as she has been de- 
scribed by one critic, is neither 
slappy nor lucky. 


Good common sense, not 
“slappiness,” and plenty of 
hard work, not luck, got 


Martha where she is today, 
which is considerably some- 
where. 

Years of trouping, the hard 
kind of trouping, preceded that 
telephone call from her agent 
telling her to report for her 
first picture, “Rhythm On The 
Range.” 

Because her father and 
mother, Pete Reed and Peggy 
Hooper, known on the vaude- 
ville stage as Reed and Hooper, 
were traveling at the time, 
Miss Raye was born in Butte, 
Mont. She became a trouper 
when she was three years old, 
appearing in the act with her 
parents. Thirteen years of ups 
and downs, of cold water flats, 
honky-tonk hotels, whistle 


stops and _ no-cash-to-carry 
days followed. 
There were good _ days, 


though. They included an en- 
gagement with Paul Ash’s or- 
chestra, with which she sang 
and did comedy for more than 
a year. She also teamed up 
with Benny Davis, song-writer 
and master of ceremonies in 
an act. 

At one time she was a mem- 
ber of Earl Carroll’s “Sketch 
Book” company and later was 
with Lew Brown’s “Calling 
All Stars.” Yes, Martha got 
around. 

It was during one of the in- 


Still Pub A 111; Mat 101—15c 
MARTHA RAYE in one of her gid- 


dier moments in the Strand's new 
musical comedy hit, “Navy Blues." 


formal Sunday night entertain- 
ments at the old Trocadero 
that Martha, called on to “do 
something,” was discovered by 
Norman Taurog, Hollywood 
director. A word to the proper 
producer and Martha received 
a call to test for the Crosby 
picture. 

After appearing in a succes- 
sion of big moneymakers for 
Paramount, Martha went on 
to New York where she de- 
lighted Broadway in Al Jol- 
son’s “Hold On To Your Hats.” 
This she followed with a num- 
ber of personal appearances, 
breaking records wherever she 
appeared, and more lately she’s 
returned to Hollywood for a 
featured role in Warner Bros.’ 
“Navy Blues,” in a cast which 
includes Ann Sheridan, Jack 
Oakie, Jack Haley, Jack Car- 
son, Herbert Anderson, Jackie 
C. Gleason and the Navy Blues 
Sextet. It is now at the Strand. 


Navy Blues Sextet Likes 
Sound of Wedding Bells 


All the beautiful girls in 
Holkywood who aren’t married 
want to be. Well, almost all. 

Most of them admit it, too, 
but they are particular and 
have certain qualifications they 
hope to find in the “one and 
only.” 

The Navy Blues Sextet, six 
of Hollywood’s loveliest who 
are currently on display in 
the Strand’s filmusical, for in- 
stance, hopes for matrimony 
almost to a man—or to six 
men. They indicate they will 
listen to all offers—and they 
are getting plenty! 

Kay Aldridge, sometimes 
named as the most beautiful 
of the six beauties (there are 
others who will dispute this), 
wants a husband who can 
cook. 

“Because I can’t,” explains 
Kay. “Down in Virginia I used 
to make corn pone but I usu- 
ally burned it before I got it 
out of the skillet—or whatever 
it is you cook corn pone tae 

This is the same young 
beauty who announced when 
she first came to Hollywood 
that she wanted to work until 
she had money enough to com- 
plete the inside plumbing at 
her “old Virginny homestead.” 
Her accent is authentic. 

Marguerite Chapman wants 
a mate who is the Tarzan type 
and who will carry her away 
to tree tops and pent houses. 
The two are almost synony- 
mous to Marguerite. 

Georgia Carroll, the blonde 
charmer who was a model be- 
fore she was a picture per- 
sonality, wants to marry a 
business man who means busi- 
ness. Georgia is well-heeled 
with sponduliks which she has 
earned herself. 

Loraine Gettman, who 
points to her own name as an 
indication of her honorable 
matrimonial intentions, would 
marry a gentleman farmer, or 
almost anyone else who fitted 
her mental picture of an ideal 
mate. As who wouldn’t? 

Then there is Peggy Dig- 
gins, dreamy-eyed, dark- 
haired Irish beauty, whose 
Lochinvar comes from the East 
and who has definite plans 
which may work out. And 
Claire James, who seems to be 
spoken for already and who 
can cook and sew and be beau- 
tiful all at the same time. 

That accounts for the Navy 
Blues Sextet and their matri- 
monial hopes and_ hunches. 


ms 
ms 
& 


But there are other single 
young ladies who may be 
ticked by one of Cupid’s flam- 
ing arrows almost any day 
now. 
But like all beautiful girls 
in Hollywood and those not so 
beautiful, the single stars and 
starlets want to marry and 
settle down—in pent houses, 
swimming pools, marble halls 
and black onyx bathrooms. 
Make the best offer you can! 


Exit Martha, Laughing 


Martha Raye has played a 
good many roles during her 
busy screen 
career, but 
“Navy Blues” 
provided her 
with some- 
-thing brand- 
“new in the 
-way of im- 
Spersona- 
§ tions. For one 
Sscene in that 
zelaugh-a- 
Sex minute musi- 
Mat 105—15c Cal film, Mar- 

tha had to 
pose as laundry. Seems she 
was visiting the boy friend 
aboard his battleship, which 
is where girls are seldom 
meant to be. At the approach 
of an officer, the boys stuff 
Martha into a laundry bag and 
throw her down the chute. 

For tricky exits, Martha 
thinks that one was tops. 


NS 


Navy Adopts ‘Oomph’ 


Officers of the United States 
Naval Training Station at San 
Diego recently saluted Ann 
Sheridan, Warner Bros.’ star, 
with first-class honors and 
adopted her into the Navy. 
Ann, who was in San Diego 
with the “Navy Blues” com- 
pany, received an honor cer- 
tificate citing her as “honor 
man of her company” for 
“having satisfactorily com- 
pleted a course of instruc- 
tions in entertaining the re- 
cruit personnel.” 


Brief Was the Word 


Ann Sheridan’s comment 
when she and the Navy Blues 
Sextet were issued their bath- 
ing suits for the big Waikiki 
beach scene in “Navy Blues”: 

“The dressmaking depart- 
ment never made these. Must 
have been run up by the stu- 
dio steno—in shorthand.” 


Still NB 540; Mat 201—30c 


“WE'LL BE SEEING YOU"—The beauteous Navy Blues Sextet wave farewell, 
but their success in the Strand hit, “Navy Blues," makes us think you'll be 
seeing lots more of the lovely sixsome in future movies. 


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—— 


RINTE, 
? iN 2 
ash 


Scanned from the United Artists collection at the 
Wisconsin Center for Film and Theater Research, 
with support from Matthew and Natalie Bernstein. 


for Film and Theater Research 


http://wcftr.commarts.wisc.edu 


MEDIA 
HISTORY 


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